캔버스에 유채, 캔버스에 유채
“Are you going to go in?” “Oh, no, no. Are you crazy? no. Why me, no, no.” “I also prefer the two.” The man let go of his hand holding the door. Even Dojin's foolish ears could hear words that were difficult to pass on. me too. Two people. I prefer it. ‘Me too? Bae Do-jin, who came to Venice to restore the oil painting, joins hands with Luca Orsini, an auctioneer who tried to deceive him for some reason.
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